But Clara Walker still sat in the dim-lit room with her chin upon her hands, and her dreamy eyes looking out into the gathering gloom. It was the duty of her, a maiden, to play the part of a mother--to guide another in paths which her own steps had not yet trodden. Since her mother died not a thought had been given to herself, all was for her father and her sister. In her own eyes she was herself very plain, and she knew that her manner was often ungracious when she would most wish to be gracious. She saw her face as the glass reflected it, but she did not see the changing play of expression which gave it its charm--the infinite pity, the sympathy, the sweet womanliness which drew towards her all who were in doubt and in trouble, even as poor slow-moving Charles Westmacott had been drawn to her that night. She was herself, she thought, outside the pale of love. But it was very different with Ida, merry, little, quick-witted, bright-faced Ida. She was born for love. It was her inheritance. But she was young and innocent. She must not be allowed to venture too far without help in those dangerous waters. Some understanding there was between her and Harold Denver. In her heart of hearts Clara, like every good woman, was a match-maker, and already she had chosen Denver of all men as the one to whom she could most safely confide Ida. He had talked to her more than once on the serious topics of life, on his aspirations, on what a man could do to leave the world better for his presence. She knew that he was a man of a noble nature, high-minded and earnest. And yet she did not like this secrecy, this disinclination upon the part of one so frank and honest as Ida to tell her what was passing. She would wait, and if she got the opportunity next day she would lead Harold Denver himself on to this topic. It was possible that she might learn from him what her sister had refused to tell her.